650 799 0010      |      meganrichardson9@gmail.com

Emerson Alumni 2010     |     Based in Los Angeles

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DIRECTOR

Director of the music video “Paper” by Kap Kallous

Director of the fashion video “The Drug and the Dream” by Dimepiece Designs

Director/Cinematographer of the music video “About You” by AJ Subat

Director/Cinematographer of the commercial “RedSox Fantasy” by The Boston Globe

Director/Cinematographer of the music video “Cursive” by The Golden Hour

Director/Cinematographer of the music video “Up All Night” by The Blue Pages

DIRECTOR OF PHOTOGRAPHY

Cinematographer feature film "Seventy-Nine"

Cinematographer feature film "Moo Moo and the Three Witches"

Cinematographer feature film "CAN"

Cinematographer feature film "Perfect Ending"

Second Unit DP/A Camera Op: feature film “The Day Before Christmas”

Second Unit DP/A Camera Op: feature film “A Beer Tale”

Second Unit DP/B Camera Op: feature film “Delirium”

Second Unit DP/B Camera Op: feature film “Boys of Abu Ghraib”

Second Unit DP/B Camera Op: feature film “Two Bedrooms / One Bath”

Cinematographer short film "Bingo Night" 

Cinematographer short film "He Fell From the Sky"

Cinematographer short film "In the Land of the Free"

Cinematographer short film "Maggie"

Cinematographer short film "At the Bottom of Maslow’s"

Cinematographer short film "Out of the Panel"

Cinematographer short film “Constantine”

Cinematographer short film “Committed”

Cinematographer short film “Approved by Durjaya”

Cinematographer music video "Jesus is Love" by Tartar Control

Cinematographer music video "Death of Wack Rappers" by TKO Capone

Director/Cinematographer of the music video “About You” by AJ Subat

Director/Cinematographer of the music video “Cursive” by The Golden Hour

Director/Cinematographer of the music video “Up All Night” by The Blue Pages

Writer/Cinematographer on short film “Agosto”

Director/Cinematographer of the commercial “RedSox Fantasy” by The Boston Globe

GAFFER

Gaffer music video “Stamina—Kill the Calories” by Vitalic

Gaffer music video “I’m Sorry We Lied” by Blood Orange

Gaffer short film “Dark Highway”

Gaffer short film "Postman"

Gaffer short film "Ghost Light"

Gaffer short film "Envy"

Gaffer music video “Working in the USA”

CAMERA OPERATOR

A Camera Operator short fan film “Y: The Last Man Rising”

A Camera Operator music video “Light Years” by Elijah Kelley

A Camera Operator music video “She Badda” by Casino Red

A Camera Operator music video “Get Out” by Grand Angel

A Camera Operator music video “Porno Man” by Nick Corson

B Camera Operator short "Will"

B Camera Operator music video “Outside” by Express Fresh

B Camera Operator music video “Certified Hustlette” by Mestizo

B Camera Operator music video “Hardcore Girls” by Rye Rye

B Camera Operator promo video “Freak City” by Freak City

ASSISTANT CAMERA

First Assistant Camera feature film “Out West”

First Assistant Camera feature film “Upside Down”

First Assistant Camera music video “Don’t Say Manhattan”

First Assistant Camera Funny or Die Real Life H-O-R-S-E! with Dave Franco & DeAndre Jordan

Second Assistant Camera video “Maruta”

WORK EXPERIENCE

Worked as videographer / editor for the Advertizing Department of The Boston Globe. 

Awarded an Emmy for directing “Writer Series” video at The Boston Globe.

Worked as prep technition at equipment rental house Birns and Sawyer.

EDUCATION

Graduated from Emerson College in 2010 with a BA in Film Production, a Photography Minor and a Spanish Concentration. 

Graduated with Latin Honors (Cum Laude) and awarded Dean’s Honor List for academic performance.

AWARDS AND RECOGNITION

Received an EVVY for Outstanding Digital Photograph.

Emerson’s Evvy Awards are the largest student run Awards ceremony in the United States.

Photography exhibit at the City Hall of Palo Alto, California. 

Images published on the cover of the Emerson photography book, “Developed Images”.

Palo Alto Weekly article featuring photography, “Our Town: Faces of Hope” article excerpt:

“The photos evoke images of dustbowl refugees Dorothea Lange shot during the Great Depression

of people impassively staring back at the camera, full of pride and pain.”